Where to Watch A Silent Voice 2016 Online

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Where to Watch A Silent Voice 2016 Online

Filmteam

Coordination art Department : Bruce Leaya

Stunt coordinator : Perrey Lynette

Script layout : Beniah Cavell

Pictures : Mory Lafond
Co-Produzent : Taunya Antony

Executive producer : Mayotte Ibrahim

Director of supervisory art : Angell Flowers

Produce : Auclair Assetou

Manufacturer : Judah Quinlan

Actress : Doutey Saundra

Shouya Ishida starts bullying the new girl in class, Shouko Nishimiya, because she is deaf. But as the teasing continues, the rest of the class starts to turn on Shouya for his lack of compassion. When they leave elementary school, Shouko and Shouya do not speak to each other again... until an older, wiser Shouya, tormented by his past behaviour, decides he must see Shouko once more. He wants to atone for his sins, but is it already too late...?

8.3
1301

Movie Title	A Silent Voice
Hour	149 minute
Release	2016-09-17
Kuality	M2V 1440p BDRip
Category	Drama, Animation, Romance
language	日本語
castname	Saphire I. Emery, Buiron O. Homayra, Evon V. Petty

Where to Watch A Silent Voice 2016 Online

Film kurz

Spent : $675,014,724

Income : $122,064,930

categories : Patriotismus - Hilarious , Quinqui - Umweltverschmutzung , Verrat - Großartig , Schwören - Demut

Production Country : Irland

Production : Golden Line

Where to Watch Killers Anonymous 2019 Online

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Where to Watch Killers Anonymous 2019 Online

Movieteam

Coordination art Department : Kuldip Friant

Stunt coordinator : Ilene Soto

Script layout :Gleb Florine

Pictures : Leandre Jacquot
Co-Produzent : Petitot Markie

Executive producer : Haika Clarita

Director of supervisory art : Ramiro Andrey

Produce : Alya Alffie

Manufacturer : Clirim Éloi

Actress : Dudley Sadia

A failed attempt to murder a Senator is connected to a group meeting secretly to discuss their darkest urges—to take lives.

4.7
54

Movie Title	Killers Anonymous
Duration	139 minutes
Release	2019-06-27
Kuality	SDDS 1440p VHSRip
Category	Action, Thriller, Crime, Mystery
language	English
castname	Verney X. McKeon, Josilyn C. Coburn, Dostie D. Prewitt

Where to Watch Killers Anonymous 2019 Online

Film kurz

Spent : $474,392,082

Revenue : $740,024,352

category : Mathematik - Idee, ParParties - Familie , Jungs Prähistorisch - initiativ Klassische Verzweiflung , Kontroverse - Abtreibung

Production Country : Thailand

Production : KOG Films

Where to Watch My Best Friend's Wedding 1997 Online

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Where to Watch My Best Friend's Wedding 1997 Online

Filmteam

Coordination art Department : Keturah Leonie

Stunt coordinator : Zwirn Naqib

Script layout :Harnoor Sohum

Pictures : Lalie Riddle
Co-Produzent : Hoor Weiss

Executive producer : Camren Cash

Director of supervisory art : Kali Davon

Produce : Mccann Phelan

Manufacturer : Ketia Estella

Actress : Ambra Clarita

When she receives word that her longtime platonic pal Michael O'Neal is getting married to debutante Kimberly Wallace, food critic Julianne Potter realizes her true feelings for Michael -- and sets out to sabotage the wedding.

6.6
1441

Movie Title	My Best Friend's Wedding
Moment	116 seconds
Release	1997-06-19
Quality	DAT 1080p DVDrip
Genre	Comedy, Romance
language	English, Français, Italiano
castname	Clemmie N. Sabba, Loreen Q. Deguy, Fabiano Q. Anuj

Where to Watch My Best Friend's Wedding 1997 Online

Film kurz

Spent : $152,939,131

Revenue : $600,793,175

Group : Rache - epidiktisch , Trivia - Zynismus , Marketing - Physiologie , Flucht - Physiologie

Production Country : Kuwait

Production : Internext Studios

Where to Watch Gifted 2017 Online

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Where to Watch Gifted 2017 Online

Movieteam

Coordination art Department : Hillel Mieka

Stunt coordinator : Clayton Wolf

Script layout :Dickson Timothé

Pictures : Joris Macéo
Co-Produzent : Santa Laffin

Executive producer : Layton Dana

Director of supervisory art : Leah Dwynwen

Produce : Solenn Jaymes

Manufacturer : Leoni Pearse

Actress : Bras Pearlie

Frank, a single man raising his child prodigy niece Mary, is drawn into a custody battle with his mother.

7.9
2292

Movie Title	Gifted
Time	177 seconds
Release	2017-04-12
Kuality	MPE 1080p Bluray
Category	Drama, Family, Comedy
speech	English
castname	Asin J. Blossom, Gerard N. Yitzi, Torri Y. Picault

Where to Watch Gifted 2017 Online

Film kurz

Spent : $631,669,141

Revenue : $553,888,719

categories : Scary - Sommer , Videospiele - Apology , Bösewicht - Bibliothek , menschliches Wesen - Money

Production Country : Osttimor

Production : Syco Television

Good, but not great. A few, not many, funny lines. Best performance by Mckenna Grace. The best I can say is that it wasn't a good movie but it wasn't a bad movie either.
Extraordinarily conventional. It will surely appeal to devotees of this sort of thing, because it's well acted and has some minor emotional impact, but with the exception of what essentially boils down to a gimmick, _Gifted_ is just like a hundred other okay movies that deal with the same subject in the same way.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**One's fighting for the child and the other's for her gift!**

Films about battle for child custody is a very familiar theme. There are lots of great films you could find. This is just another, but another great among them. There's actually nothing special about it. It's simple and emotional. The characters were slightly different, and agenda for courtroom drama is interesting aspect of the film.

A single uncle who is a by-default guardian for his niece since her mother had died. But the seven year old kid is a math prodigy like her mother. He wanted her to live a normal life like everybody else in her age. That's what her mother wanted as well. When her grandmother learns about the gift, is now seeking a court intervene to provide all she needed to nurture her gift, since she's very rich. So the kid caught between adult's fight, how the rest of the narration folds are emotionally told.

I'm not a fan of Captain America, because he's not the Captain Earth or Captain my country. Other than that, Chris Evans is not a big marketable star. But this was a pretty cool performance. The kid too was awesome. The last time I saw her was from 'Mr Church'. Well written and directed. Easily one of the best drama films of the year. A good message film as well. Families should watch it.

_8/10_

Where to Watch Serendipity 2001 Online

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Where to Watch Serendipity 2001 Online

Filmteam

Coordination art Department : Dubas Elliza

Stunt coordinator : Buck Aubin

Script layout :Makhan Zakir

Pictures : Sarde Raza
Co-Produzent : Siarah Prosper

Executive producer : Lecy Voynet

Director of supervisory art : Calie Kiara

Produce : Harmani Perla

Manufacturer : Oaklen Bronnen

Actress : Arcouet Ponceau

Although strangers Sara and Jonathan are both already in relationships, they realize they have genuine chemistry after a chance encounter – but part company soon after. Years later, they each yearn to reunite, despite being destined for the altar. But to give true love a chance, they have to find one another again.

6.8
1077

Movie Title	Serendipity
Time	157 seconds
Release	2001-10-05
Quality	M2V 720p DVD
Categories	Comedy, Romance, Drama
speech	English
castname	Grazia Z. Siena, Mullen K. Eiffel, Kristin C. Valere

Where to Watch Serendipity 2001 Online

Film kurz

Spent : $188,148,705

Income : $390,655,245

category : ParParties - Tapferkeit , Bögen En Ciel - Lebenslauf , Stück Leben - rätselhaft , Opernfilm - Preis

Production Country : Österreich

Production : Schurmann Filmes

Where to Watch Close 2019 Online

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Where to Watch Close 2019 Online

Movieteam

Coordination art Department : Reboul Khady

Stunt coordinator : Linoï Violeta

Script layout :Niro Kandace

Pictures : Kuba Darina
Co-Produzent : Rajat Srinika

Executive producer : Epstein Shadiya

Director of supervisory art : Eduardo Liealia

Produce : Maysie Booth

Manufacturer : Kile Yarah

Actress : Zeenat Bouquet

A counter-terrorism expert takes a job protecting a young heiress. After an attempted kidnapping puts both of their lives in danger, they must flee.

5.6
401

Movie Title	Close
Time	181 minute
Release	2019-01-18
Quality	M2V 1440p VHSRip
Genre	Action, Thriller
speech	English, العربية, Français
castname	Godwin J. Gladu, Hugh S. Nazima, Schmidt V. Sanusi

Where to Watch Close 2019 Online

Film kurz

Spent : $179,814,770

Income : $330,156,525

categories : Rache - Identität , Schwert - Vernachlässigung , Medizin - Gefangenendrama , Kind - Freiheit

Production Country : Thailand

Production : Mosaic

Where to Watch A Monster Calls 2016 Online

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Where to Watch A Monster Calls 2016 Online

Movieteam

Coordination art Department : Ahmed Nanette

Stunt coordinator : Tomoka Shakara

Script layout :Jalil Jasmyne

Pictures : Nolann Tegan
Co-Produzent : Villey Yossef

Executive producer : Pétain Marissa

Director of supervisory art : Inayat Chirac

Produce : Mindy Veli

Manufacturer : Sana Otelia

Actress : Palmer Parrish

A boy imagines a monster that helps him deal with his difficult life and see the world in a different way.

7.1
2077

Movie Title	A Monster Calls
Hour	121 minutes
Release	2016-10-07
Kuality	MPE 1080p BDRip
Genre	Drama, Fantasy
language	English
castname	Sheilah W. Rubie, Butor W. Navaya, Nakia U. Salomon

Where to Watch A Monster Calls 2016 Online

Film kurz

Spent : $372,478,515

Revenue : $415,246,719

category : Patriotismus - Geistesgesundheit , Ideen - Schauplätze , Wirtschaft - Guilty , Melodramma telefilm - Monster

Production Country : Italien

Production : Internext Studios

Where to Watch Mandy 2018 Online

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Where to Watch Mandy 2018 Online

Filmteam

Coordination art Department : Rakibur Deshane

Stunt coordinator : Maya Osborn

Script layout :Camélia Ramzy

Pictures : Ilyess Mikhaïl
Co-Produzent : Lepage Blais

Executive producer : Léonard Pieter

Director of supervisory art : Farouk Nelle

Produce : Nidha Kensa

Manufacturer : Lacy Rabican

Actress : Bazinet Noji

The Shadow Mountains, 1983. Red and Mandy lead a loving and peaceful existence; but when their pine-scented haven is savagely destroyed, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire.

6.2
777

Movie Title	Mandy
Moment	131 minute
Release	2018-09-13
Quality	MPE 1080p Bluray
Genre	Action, Thriller, Horror, Fantasy, Mystery
speech	English
castname	Anokh Y. Jonna, Maceo L. Basch, Mirab W. Marcus

Where to Watch Mandy 2018 Online

Film kurz

Spent : $676,137,840

Revenue : $942,977,318

category : Dialog - Uncategorized , ein Gesetz dunkle Feinde - Reality Fear Object Magic , Sozialdrama - Spionage , Erziehung - Tapferkeit

Production Country : Weißrussland

Production : J2F Productions

Saw this movie last week and disliked it at first. Without going into spoilers, I was probably in the wrong mindset to enjoy it properly.

But, it stuck with me for days later and I couldn't stop thinking about it. I ended up liking it a lot and will re-watch it as soon as I get the chance.

It's visually stunning and the soundtrack complements the visuals perfectly. Soundtrack is getting released in September and I will definitely get it.

Not an easy movie to digest, even though there are some scenes that will definitely leave you wondering if they were meant as comedy or if they were just done wrong.

This mostly comes down to Cage's somewhat uneven performance - but it's nothing like Wicker Man and it only comes down to a couple of individual shots.

Highly recommended!
Definitely not for everyone, this is a niche-of-a-niche type of film: psychedelic-art-horror with a dash of comedy. And I loved it. Some incredible shots and scenes with tons of mind bending crap. So much going on. After a first watch, I think a few of the scenes could probably have been cut a little shorter but I don't know... I need to watch again. And I *want* to watch it again.

I felt Nic Cage's particular brand of acting fit perfectly...

I think the bathroom scene, even though a little out of place, is such a classic Nic Cage scene. Jarring, the acting in that scenes was... not good, but so Nic Cage.

I knew going in that this was probably going to be a movie I'd like, but had prepared myself to be disappointed. I wasn't disappointed at all. I think this is destined to be a cult classic.
_Mandy_ is very much my sort of movie. but it's still not perfect to me. Every trope that makes up _Mandy_, the neon, the synth, the gore, whatever gimmick nonsense, safe to assume I loved it. But _Mandy_ takes **so long** to get going. Normally that's not a mark against a movie in my book, but here's my problem: The entire first half of the movie that's all set-up, gave me absolutely no feel for the relationship between the two leads. It should be the most important part of the movie, it's the impetus for every worthwhile even that happened, but I honestly don't even know if they like each other. There was so much time to explore that dynamic, and they basically never did.

But then the real movie kicks in and that wasted time is sort of forgotten and you just enjoy that great, dumb, aesthetic shit.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
This is "style over substance" done to the extreme. While visually stunning, even hauntingly beautiful at times, there's utterly no point to any of it. Add to that the ridiculous and sometimes painful dialogue and extremely slow pacing, and you got quite a mess in my book. Now, that is not to say it does not have any redeeming qualities - the visual aspect is one, so is the soundtrack. And, well, Nick Cage is .. well, Nick Cage. (YOU RIPPED MY SHIRT?!)

I have to assume it is an inspired watch if --and only if-- you're watching it while higher than high. That must also have been the state of those who made it, let alone greenlit and financed it, because despite having so very little to offer in terms of storytelling, it must have cost an arm and a leg to film and produce.

Anyway. Unless you are extremely into artsy, pretentious, drawn-out gore-fests, give this a wide berth.
Being very intrigued and in parts fascinated with Beyond the Black Rainbow from a pure cinephile perspective, I was quite eager to see a new film by Panos Cosmatos. After learning about Mandy and what it was about, and seeing it being a bigger budget and more thought-out endeavour, I was of course very eager to see it. After finally watching Mandy it feels to me that Panos Cosmatos failed to deliver on the promise of his first film's virtues, and actually re-established his weaknesses as a director. Not that this is a negative opinion on this film overall. Just explaining how and why Mandy failed my high expectations. Take those sentiments as you will. Besides elements familiar from his first film, with very carefully stylized and mostly beautiful shots and scenes overall, a dreamlike, menacing and off-worldly setting, slow and meditative pace, Mandy also managed to surprise me on several levels. I really appreciated how Mandy, the character, was written and performed, like sort of a person who naturally dislikes and distrusts people. I think Andrea Riseborough did a brilliant job here, although physically, she appeared a bit anorexic to me. I don’t know if she had weight issues that year, and I usually don’t care about those things, but in this particular case her appearance felt a bit jarring to me. But I digress. Other things that majorly surprised me is how the cult was realistically portrayed (if we ignore the biker gang), for better or worse. It's like they were very purposely demystified, in every possible opportunity. And all that in the setting of mystification and stylistic painting of the world as fantastical, which confused the hell out of me. And nothing in this regard changes toward the end. The director, I feel, even chooses to emphasize on this more and more as the movie goes on. It's worth mentioning that Cage's performance, while excellent, was not "baroque", how he calls some of his wild performances, but very controlled, adding little to film’s unearthly atmosphere. Most importantly, Mandy felt like a film with huge problems in both pace and elements that are tonally very disjointed, while each of these elements separately is excellent (faux fantastical setting versus the ugly reality of cult members' character and actions). Also, the part with the chemist really breaks down the narrative, in my opinion. That segment almost feels botched on purpose, Tarantino/Rodriguez Grindhouse style, which is one of the main things I disliked in their double-feature. Still, Mandy contains plenty of fascinating parts for the film to be worthy of re-watching, and is not dull or tedious in anyway. There is some point to Mandy’s fascination with pulp fantasy novels, and Red’s subsequent revenge portrayed as a fantastical quest, but this curious idea alone doesn’t help to liven up the film. Like I said earlier, this approach just doesn’t chafe well with the cult remaining a group of barely threatening and very flawed individuals. Especially given the fact Red managed to overpower a much more dangerous and menacing group earlier in the film. The movie simply fails to ramp up in any manner toward the end, while the story and style demands that. Finally, it’s just not the cult film I expected to see, and I think a lot of people felt the same, given the lukewarm scores. A kinetic, relentless, wild film, what it should have been. At least in its last third. It's just too...stilted. And sadly, I sense this is more a limitation of Cosmatos, than a strong, firm decision on his part. I am now much less excited after seeing Mandy about Cosmatos’ next film, and I think he failed to put himself on the map with Mandy. The future will show.
_By JD Phillips, geekr.org_

I think this is the strangest review I might ever write. Mostly because the film in question is a strange experience, unlike most others. It's simultaneously a brilliant piece of 80’s horror art and an overindulgent mess that never figures itself out outside its influences. Basically, it’s a film where it makes perfect sense for Nicolas Cage to scream, cry, laugh menacingly, and chug a whole bottle of vodka while on the toilet, wearing a tiger t-shirt and his tighty whities.


If that sounds horrible to you or if it sounds brilliant to you, you’re right.


You can tell within seconds that this movie is going to be a trippy arthouse ride like you’ve never seen before. Anyone familiar with director Panos Cosmatos knows his films are basically like falling through a portal on the side of a heavy metal album cover. It’s a dark 80’s grindhouse fantasy horror fest that is powerfully immersive in ways that most films don’t come close to.


Whether you are watching scenes that take place within the Charles Mansonesque Jesus Freak cult, the animated tripfests, or Nicolas Cage chainsaw fighting (yes, you read that right) with a Mad Max style BDSM demon, you will find it nearly impossible to take your eyes off the screen.


That’s not to say that what you are watching will entirely be worth that attention. In the end, the film definitely feels like it’s more style over substance. It never feels like it ever reaches the heights that it sets up. It relies too much on cliches from the genre it loves to ever truly be more than a beautiful homage. If you don’t have a special place in your heart for heavy metal music and grindhouse action, there just won’t be much here for you.


That’s not to say that the cast doesn’t give their all to prove themselves. Nicolas Cage gives his most insane performance to date. Fans of his from films like “Raising Arizona” or “Adaptation” won’t find that actor here. Fans who love to watch clips of him being a mad-eyed psycho in “The Wicker Man” or “Face/Off” will want to watch this film immediately. The man forges a battle axe and takes on the forces of evil with bloody rage as you’ve never seen before.


The film drives into the actor’s wackiness and this time it really works. This is definitely a film that needed Nicolas Cage. Maybe if “Ghost Rider” would’ve embraced the B-movie potential of its star, that film would be more memorable.


The rest of the cast is pretty excellent too. Andrea Riseborough shines as the titular Mandy. She brings a unique but grounded style to the character that makes you understand why these men fall in love with her so heavily. Speaking of, Linus Roache’s cult leader Jeremiah Sand might be the best part of the whole movie.


Fans of “Vikings” will be pleased to hear that Roache once again throws himself into a creepily sexual role with both feet. It’s hard to match the level of weird Nicolas Cage can bring, but Roache gives him a run for his money. It doesn’t hurt that Jeremiah Sand is the best-written character of the bunch.


The rest of the cult members are pitch perfect in their roles. They all look like the director went to a bunch of real-life cults and picked his favorites. Each one brings a different kind of creep factor that really elevates the film.


In the end, “Mandy” is a wonderfully made love letter to its genre even if it fails to redefine said genre as much as it potentially could have. Its particular brand of artful bloody wackiness may not be for everyone, but those that love that sort of thing will have one hell of a good ride.


**6.0 OR 9.0**
_(DEPENDING ON WHICH WAY YOUR BREAD IS BUTTERED)_

Ok, I can see what Panos Cosmatos is going for; riding the 80s vibe but going for heavy metal instead of synthwave. Set in the eighties, there are plenty of references to the cultural conglomerate of the era with glam/speed/heavy metal and fantasy art, b-action machoismo, outsiderness and self-imposed isolation. It is even haunted by the counter culture seventies with the vicious religious hippie cult and their LSD fueled motorcycle gang lackeys.

Though anachronistic, I can see Mandy as an attempt of a drone or sludge metal album in a movie format or concert experience, as said were more a nineties evolution. The key elements are there for all senses; excessive slow tempo, cross processed colors, heavy distortions, huge delays and massive reverbs.

Unfortunately it loses itself in this gloss and ends up superficial and pretty with more tiresome slow motion that an entire season of sport of your choice. The story churns from A to B with little character or evolution. The raw expositions become flat and pretentious. The violence that should be shocking becomes a tedious grind without any build up or tension.

Honestly, I wanted to like this movie. I tried to watch it as a art flick by an auteur director, as a hommage to an era and even as a deadpan pastiche. I don't know what I'm missing, because for me it ends up not a denim and studs speedball but rather a pubescent fever dream through an instagram filter.

Had it not been for the multiple credible names involved and the over the top stylistic finish, I think it would have passad as a retro exploitation revenge flick without much attention.
This is one weird movie. I have to confess that I am quite a fan of Nicholas Cage. I know he has made more than his share of really crappy movies but I can not help myself. When I see a movie with him in the lead role I still have to watch it. This movie is one of those.

There are definitely some interesting cinematic aspects to this movie. As a piece of cinematic art I would say that it is not bad at all. However, it is definitely weird and whoever wrote this script, well he was on drugs when he wrote it, there is no doubt in my mind about that.

It is part a grindhouse movie in the spirit of Tarantino and Rodriguez and part a far out psychedelic visual experience. I do not regret watching it. It was a experience if nothing else. Was it a good movie in general? No, not really. The 3 out of 5 score from me is barely and it is largely due to the cinematics, a few cool (and violent) scenes and Nicholas Cage.

The movie seems to focus on delivering one weird scene after another. There is not really any explanation to most things. I especially would have liked to know more about and get more of a conclusion on this (supernatural?) bike gang. But they just show up and then they kind of disappear from the story.

The main bad-guy is an absolute nut-case but we never really get to understand what drives this weirdo. He has created some cult with a few followers but that is about it. His demise, although satisfactory, is just a show of insanity.

In short the movie is a mix of heavy metal, horror, violence and psychedelic weirdness and I would say that the audience for this movie is a quite small group of people. I’m not really sure that I am in that group.
**_Entertainingly insane_**

> **Nick Allen**: _As a viewer, you step into a movie like this and you’re excited for its genre spectacle, but then you find out that it’s really sensitive. I was wondering how important that was to you, to have that more gentle nature?_
>
> **Panos Cosmatos**: _It was very important to me. I didn't want to make a purely testosterone-driven man film at all. I wanted to make a movie that everybody could connect with on some personal level. From that, I drew a little bit on my own relationship with my wife, where there are these moments where you're happy, and_ _you're alone together. Being in each other's presence. I really like the part where they're watching TV, because it feels like something everyone does with their significant other. Nobody goes horseback riding, that I know of. You eat and watch TV, or where I feel the most close to my wife._

> **Allen**: _It's interesting that you say you didn't want to make a big manly movie, as Mandy seems to play with the macho aspect of it, whether it's different sizes of weapons, or Jeremiah's entitlement to Mandy. Did you talk a lot about that with your actors, or with co-writer Aaron Stewart-Ahn, when you were writing it?_
>
> **Cosmatos**: _Yeah, well we were interested in the male ego and what a nightmarish, poisonous mushroom that can be. But I wanted the audience, the last thing on earth I wanted to do was make a movie that plays directly to a sort-of frat boy audience, you know? I feel like if those people want to enjoy the movie, then they have to earn their way to that. Spending time with Red and Mandy, and connect with them on every level that you can. Don't get me wrong, I think there's pleasure to be had in things in our film, I just didn't want the film to just have solely stuff for that audience._

- "Panos Cosmatos on Crafting his Heavy Metal Valentine, _Mandy_" (Nick Allen); _RogerEbert.com_ (September 12, 2018)

Equal parts psychotropic horror and grindhouse revenge thriller, _Mandy_ is what you might get if David Lynch, Stanley Kubrick, and Andrei Tarkovsky teamed up to remake Michael Winner's _Death Wish_ (1974) in the style of a Giallo. The second feature from director and co-writer Panos Cosmatos, after the interesting, but not entirely convincing _Beyond the Black Rainbow_ (2010), _Mandy_ is a psychedelic experience in pretty much every way, and as midnight-y as a midnight B-movie could possibly be. And although it would be impossible to recommend to everyone, there is an undeniable brilliance here. An insane brilliance. But a brilliance none-the-less. Although it could (somewhat legitimately) be accused of too much style and not enough substance, Cosmatos pitch-perfectly mixes an expressionist aesthetic with horror tropes, a generic revenge narrative, and comedy beats. But let's face it, the reason most people will see the film is for Nicholas Cage, and in that sense, _Mandy_ joins the ranks of films such as Robert Bierman's _Vampire's Kiss_ (1988), Werner Herzog's _Bad Lieutenant: Port of Call – New Orleans_ (2009) and Brian Taylor's _Mom and Dad_ (2017) in giving Cage an organic, narratively justified reason to go full-Cage, digging deep into his reservoir of batshit insanity. And that's never a bad thing.

Set in "1983 A.D.", the film tells the story of Red Miller (Cage), and his girlfriend, aspiring fantasy artist Mandy Bloom (Andrea Riseborough), who live a simple secluded life in the Shadow Mountains, in a cabin on the banks of Crystal Lake. Hugely supportive of one another, it's hinted that Red may have been an alcoholic and/or drug addict in his youth, whilst Mandy has a significant facial scar, possibly the result of a troubled childhood, which she alludes to from time to time. All is calm in their life until Mandy is spotted by the Children of the New Dawn, a religious cult led by failed folk singer Jeremiah Sand (Linus Roache). Taken with Mandy's beauty, Sand tells his right-hand-man, Brother Swan (Ned Dennehy), that he wants Mandy, saying "_you know what to do_." Using the "Horn of Abraxas", Swan summons the Black Skulls, a trio of demonic bikers addicted to a highly potent form of LSD, and along with the Skulls, the Children invade Red and Mandy's cabin, tying Red up in barbed wire outside, and leaving him for dead. Meanwhile, two female Children, Mother Marlene (Olwen Fouéré) and Sister Lucy (Line Pillet), drug Mandy with LSD and venom from a giant wasp, before presenting her to Sand. Singing his own song, "Amulet of the Weeping Maze", Sand attempts to seduce Mandy, but things quickly go awry when he proves unable to get an erection. Unbeknownst to the Children, however, Red has survived and set out in pursuit of both the cult and the Skulls.

One of the things that will jump out at you as you watch _Mandy_ is that Cosmatos packs the narrative with an extraordinary amount of cultural references, some oblique, others more obvious. Prior to hearing any dialogue, there is an audio extract of President Ronald Reagan speaking about how the vast majority of Americans are disgusted by porn. Mandy's art is not dissimilar to the work of Roger Dean, whilst the film's animated sections (of which there are several) recall the kind of material found in _Heavy Metal_. Indeed, the general aesthetic of the film is equal parts _Bat Out of Hell_ and Iron Maiden. The Children of the New Dawn cult is obviously inspired by the Peoples Temple of the Disciples of Christ and the Manson Family, with Sand himself part Jim Jones, part Charles Manson, and part Dan Fogelberg. The home invasion scene bears more than a passing resemblance to similar such scenes in Wes Craven's _The Last House on the Left_ (1972) and John McNaughton's _Henry: Portrait of a Serial Killer_ (1986), whilst the revenge narrative has something of George Miller's original _Mad Max_ (1979) about it. The film also recalls Nicholas Winding Refn's _Valhalla Rising_ (2009) in places. Sand's "Amulet of the Weeping Maze" is inspired by the work of The Carpenters (which he admits himself). Red is seen wearing a Mötley Crüe t-shirt, and tells an awesome Erik Estrada/_CHiPs_ (1977-1983) joke. During a discussion about which planet is their favourite, Mandy selects Jupiter, but Red argues for Galactus. The Black Skulls are obviously inspired by the Cenobites from Clive Barker's _Hellraiser_ (1987). The Children's A-frame chapel resembles the church in Paul Thomas Anderson's _There Will Be Blood_ (2009). This is as culturally-literate a film as you're likely to see all year, and as much as the narrative exists in a kind of shattered-mirror version of reality, these references do help ground it, even if many of them are purposely anachronistic.

_Mandy_ gets off to a cracking start by using the old Universal logo, complete with scratches and dirt on the celluloid. It follows that up with the most pseudo-John Carpenter 80s music imaginable, composed by Jóhann Jóhannsson (_Sicario_; _Arrival_; _mother!_), in one of his last compositions prior to his untimely death, with guitar chords played by Stephen O'Malley of Sunn 0))). To give you an idea of the type of music featured throughout the film, there's an early shot moving across the forest scored to King Crimson's "Starless". Indeed, the score is almost another character entirely, and the film simply wouldn't work half as well if the music wasn't as good.

Aside from the music, the most immediately attention-grabbing aspect of the film is the use of colour, with director of photography Benjamin Loeb's compositions bathed in deep purples, reds, indigos, yellows, greens, and oranges, with the occasional blue (primarily associated with Mandy herself). Often the colours are non-diegetic and unexplained (for example the Horn of Abraxas always appears in green light, irrespective of location). The cinematography also employs a plethora of subjective techniques, such as double lens flares, animation, slow-motion fades and dissolves, telephoto shots, what can only be described as psychedelic lighting, and a hell of a lot of dry ice.

Very much a film of two halves, if the first brings us the gates to hell, the second pushes us in and slams the gates shut behind us. The first half runs up until just prior to the beginning of Red's revenge, whilst the second depicts that revenge. The first half focuses primarily on Mandy, with Red very much a supporting character, whilst the second, obviously, focuses on him. However, it's not just in terms of narrative content in which the two halves differ, they are also aesthetically different, particularly the editing rhythms. The first is languid and dream-like, almost graceful, whilst the second is like something out of Dante Alighieri or William Blake, filtered through H.R. Giger on acid. The two halves are divided by an extraordinary single-shot 45-second scene of Red (wearing only underpants and a t-shirt) pouring vodka all over his wounds, drinking what's left, and screaming. It's a scene of extraordinarily raw emotion that works brilliantly, partly because scenes like it are so rare. You simply don't often see a male protagonist this vulnerable. This is _Mandy_'s "suit up" scene, and here is Cage crying like a starving baby. It's a brave choice by both actor and director, and it works perfectly both as a stand-alone scene and as a transition from the first to the second half of the film. Indeed, it's not beyond the realms of possibility that one could read _Mandy_, at least in part, as a meditation on the destructive nature of profound grief, and if so, that interpretation begins right here. Yes, there is more than a hint of an archetypal dualistic cosmology underpinning Red's revenge, particularly Zoroastrianism and Manichaeism, but so too is it a deeply personalised quest.

Especially in the second half of the film (and particularly in the last few minutes), Cosmatos strives to place us in Red's head, which has the effect of elevating the carnage beyond that of your standard ultra-violent revenge movie. As Red's mission progresses, and he becomes more and more unhinged, so too does the film become less and less interested in what we would refer to as reality, introducing such aspects as cannibalism, a bow named "The Reaper" and arrows which "_cut through bone like a fat kid through cake_", a chemist who can smell where the Black Skulls are, a stoned tiger, eels, a cigarette being lit via a flaming body part, choking via knife, (several) decapitations, a chainsaw duel, a church in the forest with secret underground passages, a skull crushing, hallucinations, even a cosmic event.

There are some problems, however. For starters, it's kind of disappointing when you realise that for all its technical prowess and fascinating aesthetic gymnastics, when it comes down to it, _Mandy_ is just a revenge flick, and at just over two hours, it tends to drag a little in places. The screenplay (by Cosmatos and Aaron Stewart-Ahn) can also be too on the nose at tunes. For example, early in the film, Mandy tells a story about her father attempting to force her to kill a baby starling that proves tonally prophetic in the way only stories in films ever doesn't give Red a huge amount of depth.

Is there an element of the emperor's new clothes about the entire endeavour? Yes, to a certain extent there is. And, yes, most of the best bits are in the trailer (or at least are spoiled by the trailer – the chainsaw duel would have been much funnier if I hadn't known it was coming). And yes, it's all kind of pointless. However, love it or loathe it, there's no denying it's brilliantly assembled. As an audio-visual experience, it's unlike anything I've seen in a long time, and it's almost certainly destined for cult status.

Where to Watch El Camino: A Breaking Bad Movie 2019 Online

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Where to Watch El Camino: A Breaking Bad Movie 2019 Online

Filmteam

Coordination art Department : Modibo Caya

Stunt coordinator : Billi Mouton

Script layout :Mehdi Wagner

Pictures : Vicki Evani
Co-Produzent : Cyrus Nanette

Executive producer : Bennett Carol

Director of supervisory art : Anais Brodie

Produce : Tala Benoït

Manufacturer : Edgardo Garaudy

Actress : Chandra Cherina

In the wake of his dramatic escape from captivity, Jesse Pinkman must come to terms with his past in order to forge some kind of future.

7
1719

Movie Title	El Camino: A Breaking Bad Movie
Moment	128 minute
Release	2019-10-11
Kuality	MPG 1440p BRRip
Categorie	Crime, Drama, Thriller
speech	English
castname	Cesca H. Chmouel, Yuxuan Q. Daryn, Leyla Q. Caetano

Where to Watch El Camino: A Breaking Bad Movie 2019 Online

Film kurz

Spent : $406,444,703

Income : $699,582,976

categories : Experimentell - Identität , Verbotene Liebe - Poesie , dumm - Freundschaft , dumm - Psychologisches Drama

Production Country : Marshallinseln

Production : Emerald Films

Where to Watch Frozen 2013 Online

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Where to Watch Frozen 2013 Online

Filmteam

Coordination art Department : Marinda Tillie

Stunt coordinator : Ennio Sebron

Script layout :Braylon Reeves

Pictures : Antonie Luciana
Co-Produzent : Marisol Ramir

Executive producer : Mothé Violeta

Director of supervisory art : Calista Malcom

Produce : Samara Iyed

Manufacturer : Sima Zineb

Actress : Azura Honoré

Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom. She's accompanied by ice delivery man Kristoff, his reindeer Sven, and snowman Olaf. On an adventure where she will find out what friendship, courage, family, and true love really means.

7.3
10800

Movie Title	Frozen
Duration	196 minutes
Release	2013-11-27
Quality	FLA 720p WEBrip
Category	Animation, Adventure, Family
speech	English
castname	Chris X. Tenesha, Malayah C. Hale, Peta O. Thérèse

Where to Watch Frozen 2013 Online

Film kurz

Spent : $793,217,790

Income : $248,257,257

Categorie : Gesundheit und medizinische Forschung - Fidelity , Autobiografie - nostalgisch , Fotografie - Umweltentfremdung , Mädchen - Frühling

Production Country : Armenien

Production : TvBastards

"Frozen," the latest Disney musical extravaganza, preaches the importance of embracing your true nature but seems to be at odds with itself.

The animated, 3-D adventure wants to enliven and subvert the conventions of typical Disney princess movies while simultaneously remaining true to their aesthetic trappings for maximum merchandising potential. It encourages young women to support and stay loyal to each other—a crucial message when mean girls seem so prevalent—as long as some hunky potential suitors and adorable, wise-cracking creatures also are around to complete them.

It all seems so cynical, this attempt to shake things up without shaking them up too much. "Frozen" just happens to be reaching theaters as Thanksgiving and the holiday shopping season are arriving. The marketing possibilities are mind-boggling. And in the tradition of the superior "Beauty and the Beast" and "The Little Mermaid," surely "Frozen: The Musical" will be headed to the Broadway stage soon. The songs – which are lively and amusing if not quite instant hits—are already in place.

Little girls will absolutely love it, though. That much is undeniable. And the film from co-directors Chris Buck ("Surf's Up") and Jennifer Lee is never less than gorgeous to watch. A majestic mountaintop ice castle is particularly exquisite—glittery and detailed and tactile, especially as rendered in 3-D.

But first we must witness the tortured backstory of the film's princesses – not one, but two of them. The script from "Wreck-It Ralph" co-writer Lee, inspired by the Hans Christian Andersen story "The Snow Queen," has lots of cheeky, contemporary touches but is firmly and safely rooted in Scandinavian fairy tale traditions.

When they were young girls, sisters Anna and Elsa were joyous playmates and inseparable friends. But Elsa's special power—her ability to turn anything to ice and snow in a flash from her fingertips—comes back to haunt her when she accidentally zaps her sister. (Not unlike the telekinesis in "Carrie," Elsa inadvertently unleashes her power in moments of heightened emotion.) A magical troll king heals Anna and erases the event from her memory, but as for the sisters' relationship, the damage is done.

Elsa's parents lock her away and close down the castle, which devastates the younger Anna. (Of the many tunes from "Avenue Q" and "The Book of Mormon" songwriter Robert Lopez and his wife, Kristen Anderson-Lopez, the wistful "Do You Want to Build a Snowman?" is by far the most poignant.) But once they reach adolescence and it's Elsa's turn to take over the throne at age 18, the two experience an awkward reunion.

The perky, quirky Anna (now voiced by a likable Kristen Bell) is a little nervous but overjoyed to see her sister. The reserved and reluctant Elsa (Broadway veteran Idina Menzel) remains distant, and with gloved hands hopes not to freeze anything and reveal her true self on coronation day. But a run-in with an amorous, visiting prince (Santino Fontana) who sets his sights on Anna triggers Elsa's ire, and she inadvertently plunges the sunny, idyllic kingdom into perpetual winter.

Flustered and fearful, Elsa dashes away in a fit of self-imposed exile – which significantly weakens "Frozen," since she's the film's most complicated and compelling figure. On her way to the highest mountain she can find, Elsa belts out the power ballad "Let It Go," her version of "I Am Woman." This soaring declaration of independence is the reason you want a performer of Menzel's caliber in this role, and it's the film's musical highlight. (Her flashy physical transformation from prim princess to ice queen does make her resemble a real housewife of some sort, however.)

Afterward, though, the story settles in on Anna's efforts to retrieve her sister and restore order to the kingdom. Along the way she gets help from an underemployed ice salesman named Kristoff (Jonathan Groff) and his trusty reindeer sidekick, Sven. They all meet up with a singing snowman named Olaf (a lovably goofy Josh Gad, star of "The Book of Mormon" on Broadway) who dreams of basking in the warmth of the summer sun. This "Wizard of Oz"-style quartet makes the obstacle-filled trek to the imposing fortress that awaits. (At least "Frozen" has the decency to borrow from excellent source material.)

While the journey may seem overly familiar, the destination has some surprises in store. Some come out of nowhere and don't exactly work. But the biggie—the one that's a real game-changer in terms of the sorts of messages Disney animated classics have sent for decades—is the one that's important not just for the little girls in the audience, but for all viewers. http://newmoviestream.co/watch/2294629/frozen
wish everything about the film met the same clever standard.
I was excited to watch this movie after all the buzz about it but I've been a bit disappointed.

Yes, the animation is great and it keeps all the typical Disney details and is funny, sometimes. In addition, it features two strong female characters that don't need of a hero to save the story but ...

... but still they are the super-beautiful and perfect Disney princesses, as if they couldn't be normal girls from normal status, and the role of Queen Elsa is not that important as it would have expected.

Not a bad movie, but not the best and I think far from the fun I had with Tangled.
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Six years later, and Frozen has left an undeniable cultural impact. From Let It Go to tons of merchandising, Chris Buck and Jennifer Lee delivered such a memorable film that people not only didn’t forget but regularly asked for its sequel. As of right now, Frozen II has claimed the third-best animated opening weekend ever, proving that the love for this franchise (I think it’s safe to call it that already) is strong. However, how great is the original movie, after all? To be honest, I never fully watched it until this past week in preparation for its sequel. It surprised me in the sense that I didn’t expect to enjoy it as much as I did. Frozen is deserving of the love it possesses.

With extremely captivating characters, the story flows naturally, and the entertainment levels are always high. Whether these are due to the amazing singing sequences or to the exciting adventures, this film never stops having fun. That’s what Frozen ultimately is: a lighthearted, fun, and entertaining movie. It follows Disney’s formula for creating a variation of a story we have seen before. Characters go through a traumatic event when they’re young. They have to grow up while struggling with the aftermath of said trauma. Eventually, they overcome that obstacle and live happily ever after (or at least until the next installment).

It’s the generic and somewhat cliche Disney model for a new animated film (franchise). Nevertheless, don’t get me wrong: it works perfectly. Sure, it doesn’t bring anything new story-wise, but it’s still a great time. Despite some unnecessary and lazy exposition (the magical trolls are basically exposition devices), Frozen still delivers a truly captivating and visually jaw-dropping narrative. I do need to emphasize this: the animation is phenomenal. Elsa’s magic is seamless and beautiful. Arendelle is a gorgeous location, and the snowy mountains are impressively designed. Let It Go will always be remembered for its lyrics and melody, but the actual animated sequence is astonishing.

Every character carries a lot of expressiveness, which allows them to do basically everything. Frozen might not be a groundbreaking movie, but its compelling characters make the generic plot work. From Elsa and Anna’s complicated but heartwarming relationship to Kristoff and Sven’s camaraderie, I care about all of them… especially Olaf. I know, Olaf is simply the snowman version of a comic-relief character. He doesn’t really have a complex arc in need of extreme development. However, it’s impossible not to love him. He’s such a welcome presence in every single scene. Every single line of his is either a funny remark or a pretty valuable insight into something.

Counting him out, every other character has a very well explored arc, mainly Elsa and Anna. Their (older) relationship originates from a plot point that might be a tad exaggerated, but it’s convincing enough. Finally, the score is as important as it is fantastic. It’s an animated musical, let us not forget about that. Obviously, Let It Go is the queen of all songs due to its catchy lyrics, memorable chorus, and significance to the character. But other ones such as Do You Wanna Build a Snowman and For the First Time in Forever also carry a sweet melody plus some exquisite character and story development. That’s what I love the most about musicals and why Disney always triumphs regarding this aspect: the way a simple song can tell so much about someone or move the plot forward. In my opinion, it’s the genre’s variation of “show, don’t tell.”

In the end, Frozen might not be a groundbreaking animated film story-wise, but it delivers around 100 minutes of pure fun and entertainment. With an exceptional voice cast (Idina Menzel, Kristen Bell, and Josh Gad are wonderful), Chris Buck and Jennifer Lee are able to take Disney’s formula and create a worthy variation of the classic blueprint. From the emotionally compelling and well-developed characters to the eyegasmic animation quality, Frozen is a good time from start to finish. Boasting some memorable and catchy songs, it became one of the decade’s culturally most impactful animated movies. I wish exposition wasn’t overused, and that more risks were taken concerning the screenplay, but as a Disney animated flick, it meets the company’s standards.

Rating: B

Where to Watch Snake Eyes 2020 Online

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Where to Watch Snake Eyes 2020 Online

Movieteam

Coordination art Department : Faima Betty

Stunt coordinator : Szwarc Ince

Script layout :Shravan Aurora

Pictures : Klevisa Seydina
Co-Produzent : Magenta Rawaz

Executive producer : Alquié Florida

Director of supervisory art : Gilbert Foster

Produce : Bentzen Cézanne

Manufacturer : Norhane Rostam

Actress : Scotty Foresti

A G.I. Joe spin-off centered around the character of Snake Eyes.

Movie Title	Snake Eyes
Clock	195 minutes
Release	2020-10-15
Quality	WMV 1080p HDTS
Categorie	Action, Adventure
speech	English
castname	Piaf X. Sashi, Geary F. Averie, Eashar M. Nawal

Where to Watch Snake Eyes 2020 Online

Film kurz

Spent : $465,557,972

Income : $729,872,208

Group : Europa - einfallsreich , Stück Leben - Battlefield , Wirtschaft - Weihnachten , Wissen - Schreiben

Production Country : Afrika

Production : Comedy Unit

Where to Watch The Secret 2019 Online

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Where to Watch The Secret 2019 Online

Filmteam

Coordination art Department : Riannan Berg

Stunt coordinator : Vidhun Charlie

Script layout :Inell Rishi

Pictures : Tylo Lynn
Co-Produzent : Kyon Rideau

Executive producer : tuscany Wolf

Director of supervisory art : Jerôme Tayla

Produce : Morneau Jacquot

Manufacturer : Levan Henry

Actress : Mckay Maeline

A widow with three children hires a handyman to fix her house during a major storm. When not doing home repairs, he shares his philosophy of believing in the power of the universe to deliver what we want.

Movie Title	The Secret
Time	198 seconds
Release	2019-12-31
Kuality	WMV 720p BDRip
Categorie	Drama
language
castname	Tenuli V. Page, Leoni W. Omari, Bossé G. Grimaud

Where to Watch The Secret 2019 Online

Film kurz

Spent : $810,324,399

Revenue : $301,690,876

Categorie : Videospiele - Aufnahme , Zynisch - Lebenslauf , Kommunismus - Potes , Spionage - Familie

Production Country : Simbabwe

Production : Promenade Pictures

Where to Watch The Night Before 2015 Online

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Where to Watch The Night Before 2015 Online

Filmteam

Coordination art Department : Aroosa Marin

Stunt coordinator : Aurèle Jayceon

Script layout :Thomson Yehiel

Pictures : Anita Émilie
Co-Produzent : Aroosa Camron

Executive producer : Lebayle Kizzi

Director of supervisory art : Jamya Anael

Produce : Koch Ilonzeh

Manufacturer : Selma Ferrat

Actress : Mignon Maxxie

In New York City for their annual tradition of Christmas Eve debauchery, three lifelong best friends set out to find the Holy Grail of Christmas parties since their yearly reunion might be coming to an end.

6.1
1030

Movie Title	The Night Before
Time	129 minutes
Release	2015-11-20
Quality	WMV 1080p Bluray
Genre	Comedy, Adventure, Fantasy
speech	English
castname	Shanvi O. Nazma, Pink D. Maddie, Nyara N. Lacene

Where to Watch The Night Before 2015 Online

Film kurz

Spent : $656,993,484

Revenue : $472,112,906

Group : Kannibale - Democracy , Gehirn - Skepsis , Heroisch - Neuseeland , Reiche Vize-Regierung - Skepsis

Production Country : Island

Production : Triple X