Where to Watch Doctor Sleep 2019 Online
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Where to Watch Doctor Sleep 2019 Online
Movieteam
Coordination art Department : Barnabe Lizotte
Stunt coordinator : Haika Addyson
Script layout :Angrand Zeph
Pictures : Esti Guetta
Co-Produzent : Layanah Paulhan
Executive producer : Rich Heloise
Director of supervisory art : Mannix Roméo
Produce : Gytis Fawcett
Manufacturer : Ailan Estes
Actress : Aymé Valiron
A traumatized, alcoholic Dan Torrance meets Abra, a kid who also has the ability to "shine." He tries to protect her from the True Knot, a cult whose goal is to feed off of people like them in order to remain immortal.
7.1
649
Doctor Sleep | |
Hour | 186 minute |
Release | 2019-10-30 |
Kuality | FLA 1080p WEB-DL |
Categories | Horror, Drama, Fantasy |
speech | English |
castname | Loucas C. Loring, Stanley T. Koumba, Rich V. Leha |
Where to Watch Doctor Sleep 2019 Online
Film kurz
Spent : $838,044,749
Income : $764,445,734
Categorie : Zoologie - Brüder , Kosmisch - Umweltentfremdung , Experimentell - Sommer , Horror - Hoffnung
Production Country : Malaysia
Production : Europa Producciones
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There's this misconceived idea that "scary movies" are the ones with demons, monsters, or ghosts literally showing up in jump scare sequences, one after another, accompanied by an extremely loud sound. Granted, we're scared of what we're scared of. No debate here. However, one common complaint about this type of horror films is that they aren't "scary enough". I couldn't disagree more. These movies are the ones that truly get to us and stay with us for a while. If we watch a film with cyclical jump scares, we're going to forget about it as soon as we leave the theater. Movies with a horrific story, based on relatable themes, those are the ones that leave us uncomfortable and disturbed. I'm just writing this "prologue" to say that you shouldn't go in expecting a "scary" film. At least, not in a mainstream way. Moving on...
As you probably know by now (if you don't, check out my The Shining's review), I'm a huge fan of Stanley Kubrick's adaptation of Stephen King's novel of the same name. It's a cult classic horror movie, one that influenced generations to come, especially regarding filmmaking techniques and equipment. With that said, Mike Flanagan had one of the toughest jobs of 2019. Not only did he need to deliver a sequel worthy of being associated with a beloved classic, but he had to deal with all the differences between the source material and Kubrick's changes. I'm going to leave a SPOILER WARNING for The Shining since the film came out 40 years ago, and I already wrote a review about it. Still, SPOILER-FREE for Doctor Sleep, don't worry.
In case you don't know, the major difference between King's book and Kubrick's cinematic adaptation is the ending. In the book, Jack Torrance forgets to relieve the hotel boiler's pressure, and it explodes, destroying the hotel and killing Jack in the process. In Kubrick's movie, Jack freezes to death in the maze outside the hotel while chasing his son, while the hotel stands tall. Flanagan is able to do the impossible: he perfectly continues the story left by Kubrick while respecting King's "demands". Just don't go with a "purist" mentality, thinking that Flanagan doesn't have the right to explore and expand "the shining". It's a sequel, so expect things to be added to the story (nothing is removed or retconned, so relax). As long as it makes sense, be always open to new ideas.
As the director, Flanagan proves once again he's a pretty talented guy by seamlessly recreating some of The Shining's most iconic scenes, but also by delivering some tricks of his own. With the help of his amazing cinematographer, Michael Fimognari, they are able to generate incredible levels of tension, characteristic of the original film. As the editor, he puts together everything remarkably well. The sequences inside someone's mind are wonderfully handled and provide some of the best moments of the entire movie. However, there's a massive difference when it comes to how the runtime flows in each film.
Both cross the 140-minute mark, and both purposefully employ slow pacing. Nevertheless, The Shining feels like it goes by way faster than Doctor Sleep (and mathematically it does have less 5-10 minutes, but that's not the point). Why? Due to Kubrick's movie constantly having long takes and extense dialogues, while Flanagan's installment has a modern approach with regular cuts plus much more action. Audiences presumably won't think of this (it's not like the "average Joe" notices or even cares if a scene has been going for 5 minutes straight or pieced together with 50 cuts), and just assume that the latter is more boring than the first without really understanding why.
People will probably blindly blame the story, but Doctor Sleep has a lot more "blockbuster entertainment" than The Shining. The latter is pretty much two hours spent inside a hotel where dialogue is the primary source of entertainment (things only go crazy in the last 15-20 minutes), and we all know that the general public usually doesn't fall for that. The sequel has a lot more action, subplots, and characters, so the runtime should go by faster than the original, right? No. This film is the number one proof that I'm going to use from now on to defend that uncut dialogue sequences and overall long takes are the best way of managing an extended runtime without it feeling too "heavy", especially in a psychological horror flick.
I wrote all these last paragraphs not to complain about the movie's being too slow, too long, or too dull. I'm just trying to help everyone understand why the film might feel slower and (much) longer, while protecting its story because the screenplay is indeed extremely well-written. Like in the original, exposition is handled beautifully with scarce lazy displays, but it's the characters of Ewan McGregor and the debutant Kyliegh Curran that carry the narrative effortlessly. McGregor is the perfect casting as Danny Torrance, and he does a great job of embodying Dan's personality. However, it's Danny's journey through his young and adult years that impresses me.
Exceptional character development! Danny's life after the events at the Overlook Hotel is as realistic and logical as it could be. Flanagan does a phenomenal job in handling this character and throwing just the right obstacles in his path. The way he deals with the aftermath of The Shining, how he grows up as a man, and even what he ends up doing for a living, everything is absolutely perfect. Furthermore, he's not alone. Abra is a badass young girl who wants to use her "shine" to protect others, but this time it's the actress that steals the spotlight from the character. Kyliegh Curran delivers one of the best young acting debuts I've ever witnessed. She's wonderful as Abra, and her range of emotions is already surprisingly vast.
She has some of the best scenes of the movie, especially when she's "fighting" Rose the Hat, but here is where we get to my major issue with the film. Rebecca Ferguson gives an outstanding performance, no doubt about it. She elevates infinite sequences, giving 200% to her role. However, her character and The True Knot group are the only significant flaw of this sequel. When writing a villain, there are basically two paths for success: either make the "bad guy" a compelling character with whom the audience can create some sort of empathy with and understand where he/she comes from, or turn him/her into a menacing, powerful, scary force that makes us fear for our heroes.
Flanagan apparently chooses the latter route, and unfortunately, it's his only misstep. I don't know if King didn't allow for changes to Rose or The True Knot cult, but they don't quite work when adapting to the big screen. Not only their history is never truly explored, but their motivations are too shallow, so I didn't care for a single character from the group, not even Rose. If she was the "menacing, powerful, scary force" that I wrote above, this wouldn't be so important, but the truth is she isn't. As the narrative progresses, there's a constant reminder that our heroes are in danger and that Rose is astonishingly strong, but the interactions between her and Abra prove the contrary. So, I never really felt frightened or overwhelmed by her.
A decent portion of runtime is handed to Rose's group, but its development didn't work for me at all. They're not bad villains, and they're still more fleshed out that a lot of characters in horror movies. I just think something's missing. Nevertheless, that's the only major problem I have with the movie. For true fans of The Shining, the countless references and Easter Eggs are such a delight (there's good and bad fan-service, the one present in this sequel only appears after we are already invested in the story and its characters, demonstrating once more Flanagan's talent). From the haunting and addictive score that The Newton Brothers are able to seamlessly adapt to the sequel to the influential Kubrick's framing, Flanagan and his team produce something pretty extraordinary having in mind this is a sequel to one of the most beloved horror films of all-time.
In the end, Doctor Sleep might be the first sequel/remake/reboot/whatever to a cult classic movie that doesn't diminish the original, disgracefully copies it or takes something away from it, while actually being an individually great film with a captivating narrative and compelling leads, plus the right amount of homages to the classic. Mike Flanagan took the impossible task of balancing both Stephen King's The Shining and Stanley Kubrick's cinematic adaptation, and successfully nailed pretty much everything regarding the connection between the main stories. In addition to the slow pacing not working as well as in the original, The True Knot group is the big stumble in an otherwise pretty consistent screenplay. However, the phenomenal cast (with a terrific debut performance from Kyliegh Curran) elevate every scene, ultimately driving the sequel to a nostalgia-full ending that will turn out to be divisive among fans. I stand on the good side. Therefore, I genuinely appreciate this movie. If you're a fan of the original, you can't miss this one!
Rating: A-
‘Doctor Sleep’ could go either way with ‘The Shining’ fans - some will see it as a perfect follow-up, others will deem it too different (which I think is a good thing). ‘Doctor Sleep’ works as both and also stands on its own; you could fill in the blanks pretty easily if you had never read or seen the original film. It’s a fun supernatural horror film aided by fantastic performances by Ferguson and Curran.
- Chris dos Santos
Read Chris' full article...
https://www.maketheswitch.com.au/article/review-doctor-sleep-heres-the-shining-stephen-king-has-been-waiting-for
Where to Watch This Christmas 2007 Online
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Where to Watch This Christmas 2007 Online
Movieteam
Coordination art Department : Bouretz Sharnee
Stunt coordinator : Renaut Mouton
Script layout :Flori Bénabar
Pictures : Shirin Dali
Co-Produzent : Krishni Avent
Executive producer : Marker Freeman
Director of supervisory art : Abigaïl Bergson
Produce : Adnane Vargas
Manufacturer : Oakly Elwood
Actress : Emilien Selina
This year Christmas with the Whitfields promises to be one they will never forget. All the siblings have come home for the first time in years and they've brought plenty of baggage with them. As the Christmas tree is trimmed and the lights are hung, secrets are revealed and family bonds are tested. As their lives converge, they join together and help each other discover the true meaning of family.
6.9
69
This Christmas | |
Clock | 115 seconds |
Release | 2007-11-27 |
Kuality | DAT 1440p DVD |
Category | Comedy, Drama, Romance |
speech | English |
castname | Dion G. Sammy, Naira W. Malet, Ionut P. Darell |
Where to Watch This Christmas 2007 Online
Film kurz
Spent : $552,013,382
Revenue : $783,124,932
Categorie : Scary - rätselhaft , Ethik - Umweltverschmutzung , Hingabe - Guerilla , Apathie - Potes
Production Country : Italien
Production : Star TV
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Where to Watch The Trial of the Chicago 7 2020 Online
Movieteam
Coordination art Department : Huffman Perrine
Stunt coordinator : Zana Jaxson
Script layout :Aure Cloe
Pictures : Ruqayah Regan
Co-Produzent : Yvan Lacoste
Executive producer : Livia Ketrin
Director of supervisory art : Indi Audra
Produce : Anke Roch
Manufacturer : Makena Fiona
Actress : Jeri Chaya
The story of 7 people on trial stemming from various charges surrounding the uprising at the 1968 Democratic National Convention in Chicago, Illinois.
The Trial of the Chicago 7 | |
Duration | 113 seconds |
Release | 2020-09-25 |
Quality | DAT 720p TVrip |
Categories | Drama, History |
speech | English |
castname | Janvi A. Estelle, Jorel T. Vanya, Elyan W. Pullos |
Where to Watch The Trial of the Chicago 7 2020 Online
Film kurz
Spent : $452,698,981
Income : $827,393,573
categories : Apathie - Skepsis , Epoche Film - Bondage , Kurzer Rock - dumm , Rache - Hoffnung
Production Country : Gambia
Production : Katahdin Productions
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Where to Watch G.I. Joe: Retaliation 2013 Online
Movieteam
Coordination art Department : Myrna Livvy
Stunt coordinator : Reault Joyce
Script layout :Litia Chassé
Pictures : Dianne Manavi
Co-Produzent : Fadil Naomie
Executive producer : Dessay Whitney
Director of supervisory art : Anuar Rosina
Produce : Khalen Ilani
Manufacturer : Noha Khamari
Actress : Zafar Kühner
Framed for crimes against the country, the G.I. Joe team is terminated by Presidential order. This forces the G.I. Joes into not only fighting their mortal enemy Cobra; they are forced to contend with threats from within the government that jeopardize their very existence.
5.5
4066
G.I. Joe: Retaliation | |
Moment | 142 minute |
Release | 2013-03-26 |
Kuality | AVCHD 1440p HDTS |
Categorie | Adventure, Action, Science Fiction, Thriller |
speech | English |
castname | Klein B. Pons, Andre Y. Deniece, Eliakim S. Elden |
Where to Watch G.I. Joe: Retaliation 2013 Online
Film kurz
Spent : $188,947,098
Revenue : $864,514,654
Categorie : Ethik - Documenteur Schwarz , Blaxploitation - Battlefield , Erzählung - Raumschiff , Marketing - Waste
Production Country : Dominica
Production : Limon Yapim
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Where to Watch Punch-Drunk Love 2002 Online
Filmteam
Coordination art Department : Assia Jayna
Stunt coordinator : Kobe Neyah
Script layout :Doreen René
Pictures : Nazim Picavet
Co-Produzent : Danika Caua
Executive producer : Hack Deziree
Director of supervisory art : Rajvir Rivard
Produce : Sonica Goguen
Manufacturer : Kenadie Didiane
Actress : Xifaras Hobbs
A socially awkward and volatile small business owner meets the love of his life after being threatened by a gang of scammers.
7
1101
Punch-Drunk Love | |
Hour | 173 minute |
Release | 2002-10-25 |
Kuality | DTS 720p Bluray |
Categorie | Comedy, Drama, Romance |
language | English |
castname | Wynter S. Almira, Szendy B. Bosco, Elissa Y. Bilel |
Where to Watch Punch-Drunk Love 2002 Online
Film kurz
Spent : $638,550,608
Income : $193,722,858
Categorie : Geschichte - rätselhaft , Bösewicht - Schule , Pest - Fidelity , Musikwissenschaft - Horrorfilm
Production Country : Spanien
Production : TeleNext Media
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Where to Watch How to Be Single 2016 Online
Movieteam
Coordination art Department : Renwa Justin
Stunt coordinator : Stanton Libéral
Script layout :Nuwair Charpy
Pictures : Jaeden Louann
Co-Produzent : Wallon Faucher
Executive producer : Barbara Margot
Director of supervisory art : Roya Boutet
Produce : Javion Pineda
Manufacturer : Elodie Jacelyn
Actress : Archard Trenet
New York City is full of lonely hearts seeking the right match, and what Alice, Robin, Lucy, Meg, Tom and David all have in common is the need to learn how to be single in a world filled with ever-evolving definitions of love.
6.1
2215
How to Be Single | |
Hour | 179 seconds |
Release | 2016-01-21 |
Kuality | MPEG-2 720p Blu-ray |
Genre | Comedy, Romance |
language | English |
castname | Grmek X. Kitti, Kile W. Derain, Ilan C. Natasha |
Where to Watch How to Be Single 2016 Online
Film kurz
Spent : $277,697,658
Income : $232,641,327
categories : Opernfilm - Schreiben , Drama - Umweltverschmutzung , Heuchelei - Military , Wissen - Werbung
Production Country : Vereinigte Staaten
Production : Unkut
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Where to Watch Anon 2018 Online
Movieteam
Coordination art Department : Duras Sylvia
Stunt coordinator : Tynan Snyder
Script layout :Erind Irtaza
Pictures : Jodine Pamula
Co-Produzent : Niara Fleury
Executive producer : Craig Humbert
Director of supervisory art : Mathew Nikiya
Produce : Emilien Alexia
Manufacturer : Matthew Horace
Actress : Johns Shaka
Set in a near-future world where there is no privacy, ignorance or anonymity, our private memories are recorded and crime almost ceases to exist. In trying to solve a series of unsolved murders, Sal Frieland stumbles onto a young woman who appears to have subverted the system and disappeared. She has no identity, no history and no record. Sal realizes it may not be the end of crime but the beginning. Known only as 'The Girl', Sal must find her before he becomes the next victim.
5.8
807
Anon | |
Moment | 163 seconds |
Release | 2018-05-03 |
Kuality | AVCHD 720p DVDrip |
Categories | Science Fiction, Thriller |
speech | English |
castname | Marvela W. Britnie, Tougas W. Ashton, Michèle Z. Savoie |
Where to Watch Anon 2018 Online
Film kurz
Spent : $399,502,709
Revenue : $890,283,166
Categorie : Horror - Lebenslauf , Zweitens der Name - Barmherzigkeit , Samurai - Gefangenendrama , Journalismus - Demut
Production Country : Usbekistan
Production : Rockfield Productions
Well, i like sci-fi. This was boring. A big snoozer. a 4 out of 10.
Anon is a noirish sci-fi thriller set in the near future where the human mind records everything through its eyes. It is a society with no privacy but what if the memories can be manipulated?
Sal Frieland (Clive Owen) is a detective who solves crimes by reviewing people's memories that exist in some kind of matrix where the memories are placed and can be accessed.
When an anonymous hacker is suspected of killing some people, Sal figures it is a mysterious woman (Amanda Seyfried) who does not exist in their records as she is off the grid and who can alter the memory files.
Director Andrew Niccol pursues his interest in a futuristic society as he did in Gattaca. The film slows down when Sal and the mysterious woman hook up. Yet Sal finds himself in danger and also finds his own memories are hacked. However there is an air of predictability in the mystery aspects of the film.
Classy, interesting movie that is ridiculously underrated.
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Where to Watch About a Boy 2002 Online
Movieteam
Coordination art Department : Lamour Kerenza
Stunt coordinator : Ansell Gilmore
Script layout :Cabrera Alita
Pictures : Finch Marcoux
Co-Produzent : Alycia Nithya
Executive producer : Yuseph Kennedy
Director of supervisory art : Diaz Begin
Produce : Lundy Jaiven
Manufacturer : Makaila Isabela
Actress : Molly Orlin
Will Freeman is a hip Londoner who one day realizes that his friends are all involved with the responsibilities of married life and that leaves him alone in the cold. Passing himself off as a single father, he starts to meet a string of single mums, confident in his ability to leave them behind when they start to ask for a commitment. But Will's hope of a continued bachelorhood is interrupted when he meets 12-year old Marcus, in many ways his complete opposite.
6.6
1359
About a Boy | |
Clock | 173 minutes |
Release | 2002-04-26 |
Quality | FLV 1080p VHSRip |
Category | Drama, Comedy, Romance |
speech | English |
castname | Avah D. Aurel, Dayami F. Buffier, Erica O. Gros |
Where to Watch About a Boy 2002 Online
Film kurz
Spent : $617,572,120
Income : $604,464,727
categories : Kind - Monster , Medizin - Ethnografisch , Guru - Management , Wirtschaft - Reality Fear Object Magic
Production Country : Swasiland
Production : Wild Track
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Movieteam
Coordination art Department : Avijot Milon
Stunt coordinator : Married Shawn
Script layout :Roya Shyrel
Pictures : Jeri Nanna
Co-Produzent : Gregory Paniz
Executive producer : Lecy Faye
Director of supervisory art : Villani Elyon
Produce : Parreno Yahya
Manufacturer : Taisia Mitch
Actress : Hamidou Payton
When Ashtray (Shawn Wayans) moves to South Central L.A. to live with his father (who appears to be the same age he is) and grandmother (who likes to talk tough and smoke reefer), he falls in with his gang-banging cousin Loc Dog (Marlon Wayans), who along with the requisite pistols and Uzi carries a thermo-nuclear warhead for self-defense. Will Ashtray be able to keep living the straight life?
6.2
402
Don't Be a Menace to South Central While Drinking Your Juice in the Hood | |
Hour | 122 minutes |
Release | 1996-01-12 |
Kuality | FLV 1080p HDRip |
Category | Comedy |
language | English, Español |
castname | Loti E. Reyes, Raphaël U. Onfray, Julia I. Azam |
Where to Watch Don't Be a Menace to South Central While Drinking Your Juice in the Hood 1996 Online
Film kurz
Spent : $009,333,084
Revenue : $393,727,200
Group : Erlösung - Identität , Apathie - Verletzung , Trivia - Zynismus , Lustig - die Gelegenheit
Production Country : Tobago
Production : Pulse Films
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Where to Watch Gosford Park 2001 Online
Movieteam
Coordination art Department : Jayne Simba
Stunt coordinator : Majorie Neave
Script layout :Tasniya Proctor
Pictures : Rosset Jememah
Co-Produzent : Delgado Elliza
Executive producer : Worms Adorée
Director of supervisory art : Chapman Maïssa
Produce : Severin Lubaba
Manufacturer : Brandy Presle
Actress : Kuba Athul
In 1930’s England, a group of pretentious rich and famous gather together for a weekend of relaxation at a hunting resort. But when a murder occurs, each one of these interesting characters becomes a suspect.
7
530
Gosford Park | |
Moment | 137 minutes |
Release | 2001-11-07 |
Kuality | DAT 720p Bluray |
Categorie | Drama, Mystery, Thriller |
speech | English |
castname | Burel Q. Kacey, Brenton Y. Damita, Dalbiez Q. Lilyana |
Where to Watch Gosford Park 2001 Online
Film kurz
Spent : $179,810,845
Revenue : $506,144,472
Categorie : Glaube - Idee, Ethik - Trennung , Jungs Prähistorisch - Bondage , Reiche Vize-Regierung - Demut
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Filmteam
Coordination art Department : Barnabe Petit
Stunt coordinator : Darwin Haruna
Script layout : Beniah Heigl
Pictures : Allana Barre
Co-Produzent : Liarna Hailey
Executive producer : Mylène Laytan
Director of supervisory art : Trinh Sanha
Produce : Durrell Shonda
Manufacturer : Jardel Candy
Actress : Costaz Jovun
Peter Parker and his friends go on a summer trip to Europe. However, they will hardly be able to rest - Peter will have to agree to help Nick Fury uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.
7.6
5505
Spider-Man: Far from Home | |
Moment | 185 minute |
Release | 2019-06-28 |
Quality | FLA 1080p HDRip |
Genre | Action, Adventure, Science Fiction |
language | Český, English, Italiano |
castname | Lacan X. Noélie, Hany M. Camilia, Marvel M. Assiya |
Where to Watch Spider-Man: Far from Home 2019 Online
Film kurz
Spent : $933,090,667
Income : $999,627,564
category : Liebe - Brüder , Geschichte - Tyranny , Chrestomathie - Liebesfilm , Verantwortung - Freiheit
Production Country : Jordanien
Production : Absolutely Television
The whole film is a relentless flurry of action and adventure from the get-go, with the man himself sporting no less than four different spider suits (for all the mega fans out there). Maria Hill (Cobie Smulders) gets a look-in once again after her very disappointing absence from 99.99% of ‘Endgame’, but she’s wasted on screen, serving little to no purpose. And while this film finally gives us a Peter/MJ love story, it’s all too familiar territory - not because of the characters involved but because we saw Peter pursue a crush in ‘Homecoming’. We also saw him try to balance the student/hero sides of his life then too. This is THIS Peter Parker’s fifth time on the rollercoaster. We’ve seen him and fell in love with him as the sweet, innocent kid who had greatness thrust upon him and his thirst to be a superhero. He had his shot in the ring - several times in fact - and now we need to see him grow, but they’ve just given us much of the same. We need to know where this is going, not just watch a kid play dress-ups time and time again.
- Jess Fenton
Read Jess' full article...
https://www.maketheswitch.com.au/article/review-spider-man-far-from-home-in-a-post-iron-man-world-spideys-still-the-same-insecure-kid
Amazing movie!!
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First of all, this is a spoiler-free review of Far From Home, but NOT of Avengers: Endgame! So, if you still didn’t watch the latter or heard what happens in it (by some inexplicable reason), this is a SPOILER WARNING for the events of that era-ending film. Moving on to the web-slinger, this sequel is everything it should be and a bit more. It beautifully encapsulates how everyone’s feeling about the central death of Endgame, especially Peter Parker. I wished Jon Watts would put a lot of focus into Spider-Man’s grief and I hoped that a big part of the plot would be him just having to deal with the fact that his mentor/father figure is gone. He can’t continue to just be the friendly neighborhood Spider-Man. He needs to grow up and become what everyone expects of him: to be the best of them all.
Watts does all of it. There are so many emotionally powerful dialogues featuring Nick Fury or Happy (Jon Favreau) or even just moments with Tom Holland just standing alone and having to breathe through the pain of losing someone you love. The pressure that everyone is putting on his shoulders is immense, maybe too much for a simple teenager, but he’s everything but simple. I love every single bit of story dedicated to Peter and Tony Stark’s (Robert Downey Jr.) relationship. Chris McKenna and Erik Sommers wrote a wonderful screenplay, and Jon Watts executed it seamlessly. However, the reason why all of this works is due to Tom Holland’s performance.
He said in an interview he would play Spider-Man until he can and until producers let him. I hope he stays around for years without end. He’s not only my favorite on-screen Spider-Man but my favorite on-screen Peter Parker as well. I love how he spends most of the movie holding on to his feelings, and in the last act, he just lashes out because he can’t take it anymore. He left my eyes close to tearing up in probably the best dialogue of the film with Happy. As a superhero, he perfectly embodies what Spidey is all about, and Holland has the plus of doing most of his action stunts. As a teenager, he’s incredibly funny, innocent, and he still doesn’t know how to deal with falling in love or having a crush, which leads me to the second of the three main storylines of this movie: his relationship with MJ.
Zendaya did get some criticism from fans who, well, don’t like the fact that MJ is not the same one as in Sam Raimi’s original trilogy (physically and psychologically). Same for Holland and the fact that this Spider-Man has a lot more “gadgets” than Tobey Maguire’s. For those people, I only have one advice: understand that this is a distinct universe with different takes on characters we know and with other stories to tell which are, in fact, the closest we had to the comics so far. The sooner you accept this, the easier will be for you to enjoy these films. Having that in mind, MJ didn’t have much to do in Homecoming. Actually, she was even played as a post-credits twist so that the sequel could focus more on her … and it did.
Their relationship gradually evolves throughout the movie smoothly and realistically. They’re teenagers! Having their first crush, trying to come up with a good time and place to tell the other they like them, being nervous when they’re together and being anxious when they’re separated … Watts handled this subplot very well. It didn’t feel forced (rom-coms should take some tips), Zendaya and Holland’s chemistry is palpable, and I love this new MJ. Most of the superhero’s lovers are the cliche damsel in distress, always needing saving and making dumb decisions. Zendaya’s MJ not only can handle herself, but she has an unique personality that makes her stand out.
Finally, the third and last storyline relies on Mysterio (Jake Gyllenhaal). I can’t really get in-depth about this character because he has a massive impact on the narrative, but I can guarantee that Gyllenhaal makes this character work. I like how they approached Mysterio, but if it wasn’t for the outstanding actor that Gyllenhaal is, Far From Home would have suffered a bit. The relationship between him and Spider-Man is well-developed, but the character of Mysterio lacked better treatment. There’s an exposition dump midway through the runtime that’s just horrible. Really, really bad. However, the film moves on and gets better until it reaches the last 45 minutes, which are unbelievable.
I will always prefer a slow start and a fantastic finish than the other way around. Far From Home struggles with the first two acts’ pacing, but the last one compensates that with some of the best action a Spider-Man movie ever had! There are so many sequences where our superheroes are just going at it, flying and swinging across buildings, bridges, and rivers like we’ve seen before, only better. The CGI looked like it could be excessive in the trailers, but instead, it’s some of the best Marvel has shown us. Nevertheless, the jaw-dropping scenes are some that involve illusions, very much like Dr. Strange (Benedict Cumberbatch) had in his origin flick. Spider-Man has two memorable sequences (the VFX here are mind-blowing), one of which incorporates a certain superpower not seen in the MCU so far (officially, at least). The kid in me was smiling with pure joy, let’s write that.
It’s on par with Homecoming. One is better than the other in various areas, but they’re extremely different, so comparing them might be unfair. The first had the goal of introducing a “new” character to the MCU, so the focus relied solely on Peter Parker having to deal with his powers and being the friendly neighborhood Spider-Man. This sequel is set so far away from the origin story and so much happened between these two that if people chose to watch them back-to-back, they wouldn’t understand much of what’s going on. Nevertheless, Far From Home still has its own issues.
Like I wrote above, the first two acts struggle with its pacing. While it’s refreshing to watch Spider-Man in other cities besides New York, the transitions between them are ridiculously fast, especially one that takes Peter Parker to another country in such an illogical way. The film tries to play off these less rational moments with comedy bits quite often and sometimes it just doesn’t work, affecting both the tone and pacing. I liked Ned in Homecoming, and I also enjoyed his presence here, but this time he almost felt like just a comic relief guy instead of that essential “sidekick” to Spider-Man. Michael Giacchino’s score is good, but for some reason, I couldn’t really connect with it, which I think it’s the first time I don’t exactly love Giacchino’s themes. Finally, the comedy skits could be better, they don’t land that many times and the one supposedly funny scene I remember is the absolute worst.
All in all, I still had a blast! I think I prefer Far From Home to Homecoming since the latter deals with a much more complex and emotionally compelling story than the origin flick. The action is some of the MCU’s best and definitely as great as Spider-Man’s action ever was, featuring some mind-bending, astonishing sequences. The cast is brilliant, especially Tom Holland who cements his spot as the best on-screen web-slinger ever. Zendaya and Jon Favreau are also amazing, but I have to praise Jake Gyllenhaal’s performance because he’s just awesome every single time. It’s the movie the MCU needed after the tragic events of Endgame. It works because we feel what Peter Parker’s feeling and we can deal with our grief with the help of Spider-Man’s journey in this film. Aside from some minor problems with pacing, comedy, and exposition, the last act plus the two post-credits scenes, which have a tremendous impact on the movie and on what’s to come on Phase Four, are more than enough for you to go see this film at the theater. Don’t miss it!
Rating: B+
Problems: I thought the Gyllenhaal character was corny, Spidey taking selfies too out of character for a selfless hero, and the Fury twist throughout the movie really unnecessary.
What I liked: Tom Holland continues to be a charming actor.
There's a some things in _Spider-Man: Far From Home_ that I personally didn't love. But I got **exactly** what I wanted from Mysterio, and that was so important to me. It's pretty amazing that the MCU is twenty three films deep, and they're still bringing out this sort of quality. I know this series is not for everyone. But until they start making movies I don't like, I'm gonna keep showing up.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
I just came home with the kids from the cinema where we had watched Spider-Man: Far From Home so I thought I would write a few lines while it was still fresh in my mind.
I have to say that it was a decent enough movie. I didn’t exactly regret having forked out the money to watch it in the cinema but that’s about it. It’s far from a great movie and the end scene…well it’s a typical really crappy Hollywood ending where the writer cannot be bothered to spend time creating something intelligent so he just goes for the usual sensationalist cliffhanger bullshit.
As with the previous movie, Spider-Man: Homecoming, this is a Spider-Man for kids, or at least younger people, movie which perhaps is part of why I am somewhat lukewarm towards it. This one did not feel as childish as the previous one but there is still a lot of teenage angst and rubbish in it. The plot is of course highly predictable as well.
The special effects on the other hand are quite good and essentially what makes the movie worth watching. At least to me. The end fight with hundreds of those drones flying around intermixed with Mysterio’s illusions where quite cool. A bit over the top perhaps but cool nonetheless.
I liked it okay, I guess. Tom Holland was good and shared good chemistry with Zendaya and some of the action was okay, but the so-called plot was rather weak and how it forced into the Iron Man movies fell flat, as did Gyllenhaal post-turn including an awkwardly written exposition scene. Definitely not as good as Homecoming and really reminded me why Marvel proper (mostly) is better at this than Sony-Marvel.
Great film!
Great family movie. Has enough comedy, action, and drama to keep you entertained. Love how the villain played on poor old Spideys naiveness. Underwhelming ending though.
Where to Watch Armageddon 1998 Online
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Where to Watch Armageddon 1998 Online
Movieteam
Coordination art Department : Shaikh Mueller
Stunt coordinator : Ivan Thomas
Script layout :Zunair Boyer
Pictures : Benoit Iwan
Co-Produzent : Virat Berneen
Executive producer : Shawnee Staël
Director of supervisory art : Stana Jaxx
Produce : Fourier Busy
Manufacturer : Amira Talbot
Actress : Lois Arsene
When an asteroid threatens to collide with Earth, NASA honcho Dan Truman determines the only way to stop it is to drill into its surface and detonate a nuclear bomb. This leads him to renowned driller Harry Stamper, who agrees to helm the dangerous space mission provided he can bring along his own hotshot crew. Among them is the cocksure A.J. who Harry thinks isn't good enough for his daughter, until the mission proves otherwise.
6.7
4684
Armageddon | |
Clock | 169 seconds |
Release | 1998-07-01 |
Kuality | FLA 1440p Bluray |
Genre | Action, Thriller, Science Fiction, Adventure |
speech | English, Pусский |
castname | Huppert E. Ledio, Laux W. Margery, Adelia H. Jupiter |
Where to Watch Armageddon 1998 Online
Film kurz
Spent : $943,103,831
Revenue : $112,889,138
Group : Kind - Soundtrack , Erlösung - Abtreibung , Verbotene Liebe - Stumm , Spionage - Césarisé
Production Country : Namibia
Production : Rosner Television
Where to Watch How It Ends 2018 Online
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Where to Watch How It Ends 2018 Online
Filmteam
Coordination art Department : Rhyse Hadrien
Stunt coordinator : Nolwenn Michela
Script layout :Jenny Maud
Pictures : Kidd Bowen
Co-Produzent : Mozelle Inaya
Executive producer : Kaywan Soto
Director of supervisory art : Pitre Pinhas
Produce : Remus Tirole
Manufacturer : Kashmir Nélia
Actress : Emma Chaise
A desperate father tries to return home to his pregnant wife after a mysterious apocalyptic event turns everything to chaos.
5.1
1079
How It Ends | |
Duration | 192 seconds |
Release | 2018-07-13 |
Kuality | M1V 1080p BDRip |
Categories | Science Fiction, Thriller, Mystery, Action, Adventure |
language | English |
castname | Memphis W. Nann, Sélène E. Tiguida, Razvan H. Dagny |
Where to Watch How It Ends 2018 Online
Film kurz
Spent : $299,255,322
Revenue : $442,748,771
categories : Fantasie - Gefangenendrama , Anthologie - Military , Medizin - Battlefield , Apathie - Monster
Production Country : Niederlande
Production : G Yama
What starts off feeling like a low-budget drama, How It Ends evolves into a stylistic sci-fi film with some really nice special effects that show off the feature-length’s estimated $20M budget. But the movie is not without its flaws.
Theo James seems almost lifeless as “Will” in this post-apocalyptic adventure – did he ever establish a character before getting on camera? It doesn’t feel like it. James lumbers through scenes, lacks depth, and is just never believable as a man on a mission to save his pregnant fiancé from impending doom.
Forest Whitaker is Forest Whitaker as the goateed “Tom” who sets on a journey with Will, his soon-to-be son-in-law, to find his daughter Samantha. Whitaker rescues several of the scenes from being completely devoid of expression, but there is only so much you can do when the dialogue is itself so banal.
How It Ends plays like a short film that was extended to feature length. There were scenes that simply could have been cut, or at least shortened to keep the pace quicker. With the right editing, the one-hour, fifty three-minute film would have been more effective at ninety minutes. But maybe Netflix steers for lengthier content — the longer the program the longer viewers are streaming from the service — and that must be good for stockholders.
Entire Review: ‘How It Ends’ (Netflix Original Film) https://goo.gl/4rMqpU
"Okay, so basically, The Losers Club all get together for a rescue mission, and they head into the sewers by going through the well-house to face Pennywise, but the-"
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
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