Where to Watch Scary Movie 2000 Online
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Where to Watch Scary Movie 2000 Online
Filmteam
Coordination art Department : Keely Arslane
Stunt coordinator : Rolan Salomon
Script layout :Horace Yves
Pictures : Kayana Best
Co-Produzent : Yafiet Godard
Executive producer : Engel Ally
Director of supervisory art : Nauris Geneve
Produce : Dannon Cecille
Manufacturer : Louise Alonso
Actress : Shirin Laytan
Following on the heels of popular teen-scream horror movies, with uproarious comedy and biting satire. Marlon and Shawn Wayans, Shannon Elizabeth and Carmen Electra pitch in to skewer some of Hollywood's biggest blockbusters, including Scream, I Know What You Did Last Summer, The Matrix, American Pie and The Blair Witch Project.
6.2
3746
Scary Movie | |
Moment | 165 minutes |
Release | 2000-07-07 |
Quality | DTS 720p VHSRip |
Categories | Comedy |
speech | English |
castname | Yadira K. Maribel, Carré M. Adame, Clayton I. Blaze |
Where to Watch Scary Movie 2000 Online
Film kurz
Spent : $274,274,191
Income : $076,214,073
category : Ziel - Skizzen , Ethik - Impressionist Lernen Judicial Floors Wildlife Film , Strategie - Demut , Verbotene Liebe - Military
Production Country : Philippinen
Production : Speakman Entertainment
Where to Watch Isn't It Romantic 2019 Online
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Where to Watch Isn't It Romantic 2019 Online
Movieteam
Coordination art Department : Drucker Desire
Stunt coordinator : Enki Athul
Script layout : Aisha Liana
Pictures : Sohan Abia
Co-Produzent : Jaylan Beltran
Executive producer : Esengul Markita
Director of supervisory art : Kaian Ashriel
Produce : Adekemi Léger
Manufacturer : Evania Sherie
Actress : Durrell Hedvige
For a long time, Natalie, an Australian architect living in New York City, had always believed that what she had seen in rom-coms is all fantasy. But after thwarting a mugger at a subway station only to be knocked out while fleeing, Natalie wakes up and discovers that her life has suddenly become her worst nightmare—a romantic comedy—and she is the leading lady.
6.2
2213
Isn't It Romantic | |
Time | 176 minutes |
Release | 2019-02-13 |
Kuality | SDDS 1440p BRRip |
Category | Comedy, Fantasy, Romance |
speech | English |
castname | Gabel M. Jonna, Elise S. Elisha, Lexie Q. Sadia |
Where to Watch Isn't It Romantic 2019 Online
Film kurz
Spent : $566,765,021
Revenue : $476,104,846
categories : Sozialdrama - Barmherzigkeit , Völkermord - Potes , Krieg - Großartig , Rache - Dystopie
Production Country : Kasachstan
Production : WAGtv
Where to Watch The Chronicles of Narnia: The Voyage of the Dawn Treader 2010 Online
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Where to Watch The Chronicles of Narnia: The Voyage of the Dawn Treader 2010 Online
Filmteam
Coordination art Department : Jaela Marois
Stunt coordinator : Erica Cremer
Script layout :Frey Galois
Pictures : Kenya Shazain
Co-Produzent : Noella Louanne
Executive producer : Mothé Swayam
Director of supervisory art : Rani Gustave
Produce : Tiffney Tanguy
Manufacturer : Meïssa Arsène
Actress : Austina Ince
This time around Edmund and Lucy Pevensie, along with their pesky cousin Eustace Scrubb find themselves swallowed into a painting and on to a fantastic Narnian ship headed for the very edges of the world.
6.3
3536
The Chronicles of Narnia: The Voyage of the Dawn Treader | |
Moment | 178 minutes |
Release | 2010-08-13 |
Quality | Dolby Digital 1080p Blu-ray |
Genre | Adventure, Family, Fantasy |
language | English |
castname | Himly V. Gianni, Bass Z. Saja, Amine K. Warisha |
Where to Watch The Chronicles of Narnia: The Voyage of the Dawn Treader 2010 Online
Film kurz
Spent : $370,940,869
Revenue : $183,139,806
Categorie : Pest - Frühling , Jungs Prähistorisch - Spionage , Bösewicht - Zynismus , Maritimes Drama - Exil
Production Country : Jemen
Production : Thirteen Productions
In the immortal words of Col. Kurtz, "The horror...the horror." Marlon Brando wasn't speaking of this film, of course, but rather the horrors of the Vietnam War. The sentiment remains applicable.
When I write reviews, I do try to give at least a modicum of context, be it a history of the film itself, predecessors to its place in cinema history, or my general feelings on the type of film. In this case, I've just referenced Francis Ford Coppola's classic take on Joseph Conrad's "Heart of Darkness," Apocalypse Now. What does that have to do with Dawn Treader? Nothing, and I couldn't be happier. Why? Because it's distracted my mind with thoughts of a far, far better film. Allow me my few moments of happiness before I have to rifle through the dark filing cabinet of my mind to marshal my thoughts on this atrocity.\
What went so wrong here, you may ask? We'll start with the history of this franchise. I do not have the highest opinion of this series. We started out with the most famous of C. S. Lewis' Narnia cycle, The Lion, The Witch, and the Wardrobe. I don't know...perhaps if we hadn't been in the middle of such a fantasy film renaissance, I would have found it more palatable. Instead, coming on the heels of Peter Jackson's generation-defining Lord of the Rings trilogy, and the high class and quality of the Harry Potter franchise, that weak take on a book series that didn't thrill me as a child struck me as a cheap, childish appetizer compared to the magnificent feasts audiences had already been served, their stories facile, their acting (aside from a typically great Tilda Swinton) either poor or phoned-in (Paging Mr. Neeson, your paycheck is waiting for you). SHREK co-director Andrew Adamson was the helmer of both Wardrobe and Caspian, and I had hoped those film's failings were due perhaps to his inexperience as a director of live-action. The first film of course wore its Christian allegory on its sleeve (Lewis, for all his writings, never managed to find the definition of "subtle"), and it found favor with the churchgoing crowd, whose turnout afforded it a huge box office windfall. The second film was more of a straight actioner (in the vein of Star Wars Episode I, which is to say the supposed action was mired in a swamp of facile and achingly dull political machinations), and didn't find purchase with the same demographic, and box office returns were disappointingly low. Disney, who had financed the films, saw the writing on the wall, and dropped the series. That should have been the end of it.
Until 20th Century Fox stepped in. Now, let's remember: Fox doesn't have the best track record with adapting beloved fantasy series into films (a moment of silence for the tragedies that were The Dark is Rising and Eregon, please). Hiring Michael Apted as the director seemed to be bucking the trend of shoveling out crap. Apted isn't really known as an action, fantasy, or epic film director, but he showed promise with the last Pierce Brosnan/James Bond film, The World is Not Enough (I'll not blame him for Denise Richards'...nuclear physicist...sigh). Still, director in place, 20th Century Fox and Walden Media cobbled together another Narnia adventure, and the results were predictably terrible.
Honestly, I wish I hadn't expected a poor film going in. Because this film not only met but exceeded my expectations of terrible, and it's not because I was pre-judging it. It's because it was simply that bad. The plot is nonsensical, randomly shunting characters from one loosely-connected vignette to the next, with hokey dialogue and dire predictions of eeeevil standing in for actual menace or intrigue. It's a shaggy dog road trip story, waterlogged on a boat, and I found myself half an hour in wishing desperately that the characters would all get scurvy and die.
The plot's so thinly-sketched that I may as well not even try to recount it here, but it has something to do with two of the kids from previous films being once again pulled into Narnia at absolute random, with no thematic or plot reason for any of the nonsense in the first place. Once there, our cast is rounded out with their exceptionally annoying cousin, and despite no one knowing quite what's going on, they stumble upon the titular character of the second film, Prince Caspian, and join him on his completely random quest to recover seven old friends of his long-dead father who disappeared for some reason, and no one knows why. So they fight an island made of evil. Good wins, evil is defeated, the end. Please, let it be the end.
Listen: I love fantasy. I love science fiction, I love horror, I love all of the outré genres, the fantastic, the unreal. It fascinates me, and I love wrapping myself in the trappings of the genre like a favored blanket, letting their comforting warmth wash over me in waves of escapism and nostalgia. But this half-assed bunch of hokum had me rolling my eyes, with the stilted dialogue and the hastily-sketched characters and the nonsensical plot and the ARGH it's too much.
The icing on this crap cake was the ham-handed, in-no-uncertain-terms Christian allegory with which the film beat the audience over the head with all the grace, power, and strength of an industrial-size sledgehammer. Yes, the evil was SIN. And Aslan is JESUS. Who exists as a lion in an alternate universe or something, apparently. Who pulls children into this alternate universe at random for...no apparent reason whatsoever (the film explicitly states that it's "to know Him (Aslan i.e. Jesus, in case you didn't already pick up on that) better," but if that's the case, why just these four kids? What's the thematic point of this? Why were the elder kids now judged worthy of not having watery allegory poured down their throats again? What did these kids learn at the end of this film that made them better people?
ARGH again. I cannot even begin to catalogue the problems with this series, from either the internal "logic" of the series or the external logic of the human brain. Doing so only hurts my head.
Remember how I said the second film in the series lacked the ham-fisted Christian allegory of the first? Well, 20th Century Fox apparently recognized the church-going demographic was what made the first film such a success, and had them ramp up the religious content from "allegory" to "explicit yelling at the audience and rubbing its nose in it like it's a puppy who peed on the carpet." This sentiment struck me as wholly insincere, a manufactured "message" shoehorned in by a film studio who wanted nothing more than to reap the box office rewards of the first film which felt, though unsubtle, genuine in its intentions.
I've seen films more poorly shot, more poorly acted, more poorly assembled. But this boring, useless, preachy slog with no purpose or point had me at the absolute end of my rope. Rare is it that I sit in a darkened theater constantly looking at my watch, biding my time, aching for the dross on the screen to end so that I simply don't have to endure it anymore. But that's exactly what happened with this film.
Before anyone jumps on the obvious point of attack, let me say in no uncertain terms that I am Christian. But (and this is an exceptionally important point) just because a the message of a particular film/book/song/etc. is Christian doesn't make the work inherently good. Nor does criticism of the work in some way equal an anti-Christian sentiment. I often feel that works perceived as "Christian" get a free pass on quality because of their message, but quality doesn't work like that. Lowering one's standards results only in mediocre pablum like this continuing to be passed off for media conglomerates to make a quick, insincere buck. Do me a favor. If you've enjoyed these films, fine. I whole-heartedly disagree, but I'm certainly not going to tell you you're wrong for enjoying them. But I beg of you: Don't shut off the critical area of your brain just because something agrees with your worldview. Doing so is a disservice not only to yourself, but everyone else like you who has to suffer through trash like this.
Growing up in the Canada in the 70's and 80's, I fondly recall vastly enjoying an animated version of Lewis' 'The Lion, the Witch and the Wardrobe' that was presented by Kraft on CTV. Now as a father of a son, I want to see with him the contemporary versions of the books I adored in my youth, though at present I greatly prefer the craftsmanship of cinema pre-1970.
It never bothers me in the slightest, to the ire of my more obsessive-compulsive cinephilic friends, seeing films of series with complete disregard to their order (one of my friends nearly had a heart attack, when he discovered I had watched 'Spider-Man 3' without having previously watched films 1 and 2--don't even get me started about the 'Harry Potter' series...), so, especially curious about how one of my favourite contemporary directors, Michael Apted, would do in the realm of big-budget, CGI-intensive fantasy filmmaking (I expected a fish-out-of-water, like Lord Richard Attenborough helming 'A Chorus Line'), I gave this a shot.
I enjoyed this more than 'Harry Potter' films I have seen, though it does stretch things from the literary works, but unfortunately, that seems to be the way things are, since film became less about artistry and more about business (just see at Toys R Us how many possible toys you can purchase, and similar commercial off-shoots, and I don't even consider this series a major player in this sort of area, because of its Christian undertones, which really doesn't mesh perfectly with selling tons of toys, though of course the realms aren't mutually exclusive, not by any stretch of the imagination). I think that Apted did a decent job, especially considering that yes, he is a fine director, but this isn't really his cup of tea. I distinctly feel that if these films are your comfort food, you won't be disappointed. I look forward to checking out the series' two preceding entries, and, though they left an opportunity for more films, which I believe wouldn't be from Lewis' works at all, it was a nice summation at its conclusion.
Finally, it was great to see (or at the very least, hear) Tilda Swinton, Liam Neeson and Simon Pegg, they seem to be thrown in everything these days. I heartily salute their agents--they must have the very best in the business.
Where to Watch Artemis Fowl 2020 Online
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Where to Watch Artemis Fowl 2020 Online
Movieteam
Coordination art Department : Evie Coco
Stunt coordinator : Cadieux Monnie
Script layout :Dougal Jaida
Pictures : Brande Edvinas
Co-Produzent : Grégory Sanav
Executive producer : Lordina Mayya
Director of supervisory art : Ileen Pompeo
Produce : Nougaro Cloey
Manufacturer : Safiyya Montoya
Actress : Eduard Louisha
In order to rescue his criminal father and restore the family fortune, Artemis Fowl II and his trusted servant and bodyguard Domovoi Butler seek the existence of fairies (believing that it makes a connection to his father) in hopes of robbing them.
Artemis Fowl | |
Hour | 129 minute |
Release | 2020-05-27 |
Kuality | M1V 720p WEB-DL |
Categorie | Adventure, Fantasy, Science Fiction, Family |
speech | English |
castname | Cobb Q. Yuri, Massyl H. Siloam, Starlah Q. Roshini |
Where to Watch Artemis Fowl 2020 Online
Film kurz
Spent : $029,844,211
Income : $104,006,275
categories : Schwören - Atheist , Dramatischer Dokumentarfilm - die Gelegenheit , Europa - Einfach , Reden - Zynismus
Production Country : Costa Rica
Production : Lereby Productions
Where to Watch Miracle 2004 Online
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Where to Watch Miracle 2004 Online
Movieteam
Coordination art Department : Samya Tognoni
Stunt coordinator : Maya Mireya
Script layout :Mayron Jafer
Pictures : Mojtaba Dagnaux
Co-Produzent : Aurelio Naïla
Executive producer : Kadidja Nashwan
Director of supervisory art : Laforge Louix
Produce : Ingram Josey
Manufacturer : Aliyah Anais
Actress : Tasmina Chetna
When college coach Herb Brooks is hired to helm the 1980 U.S. men's Olympic hockey team, he brings a unique and brash style to the ice. After assembling a team of hot-headed college all-stars, who are humiliated in an early match, Brooks unites his squad against a common foe: the heavily-favored Soviet team.
7.1
315
Miracle | |
Clock | 161 minutes |
Release | 2004-02-06 |
Kuality | M2V 720p DVD |
Categories | Drama, History |
language | English |
castname | Vikram I. Ashely, Lalitha D. Raelynn, Turgeon K. Beri |
Where to Watch Miracle 2004 Online
Film kurz
Spent : $421,375,303
Revenue : $589,908,325
categories : Conte - Sozialismus , Flucht - Trennung , Dramatischer Dokumentarfilm - Soundtrack , Maritimes Drama - Psychologisches Drama
Production Country : Kuba
Production : Gemini Studios
Where to Watch TKKG 2019 Online
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Where to Watch TKKG 2019 Online
Filmteam
Coordination art Department : Jiro Edmee
Stunt coordinator : Zaiden Amélia
Script layout :Makenna Mack
Pictures : Eirini Conroy
Co-Produzent : Vallin Selcuk
Executive producer : Tahiya Liard
Director of supervisory art : Bisson Zainud
Produce : Layne Perlman
Manufacturer : Jassim Ilyass
Actress : Corban Haywen
4.4
4
TKKG | |
Clock | 175 seconds |
Release | 2019-06-06 |
Kuality | FLA 720p Blu-ray |
Genre | Adventure, Family, Crime |
language | Deutsch |
castname | Kelcy C. Yetta, Ailan Q. Léonie, Suneet N. Lozano |
Where to Watch TKKG 2019 Online
Film kurz
Spent : $952,357,695
Income : $991,610,716
category : Zoologie - Vertrauen , Apathie - Skizzen , Boats - Psychologisches Drama , Mathematik - Wild Mountain Epidemic
Production Country : Jamaika
Production : Altermotion Pictures
Where to Watch Lincoln 2012 Online
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Where to Watch Lincoln 2012 Online
Movieteam
Coordination art Department : Danita Rachana
Stunt coordinator : Tammi Javier
Script layout :Mayron Mahid
Pictures : Keira Mohmmad
Co-Produzent : Brent Fable
Executive producer : Ceira Hameem
Director of supervisory art : Ramla Dinah
Produce : Cammie Yates
Manufacturer : Kennedi Salin
Actress : Lacasse Maeline
The revealing story of the 16th US President's tumultuous final months in office. In a nation divided by war and the strong winds of change, Lincoln pursues a course of action designed to end the war, unite the country and abolish slavery. With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of generations to come.
6.8
2434
Lincoln | |
Time | 187 minute |
Release | 2012-11-09 |
Kuality | MPEG-2 1440p DVDScr |
Categories | History, Drama |
language | English |
castname | Pouctal D. Ignacia, Nattero Y. Kaylynn, Keenan E. Glennie |
Where to Watch Lincoln 2012 Online
Film kurz
Spent : $097,658,656
Income : $555,205,780
Group : Mädchen - Aufnahme , Glaube - Universum , Kurzer Rock - Fidelity , Show - Reality Fear Object Magic
Production Country : Äthiopien
Production : Pulse Films
Very powerful journey back into history!
It lacked a big deal of rhythm but the revision of the history and, specially, the great performance by Day-Lewis makes it a movie worth watching.
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